Eponymous.

Eponymous.

Framed found photograph

12 x 12”

unique 2015-17

This is the song that never ends. (Elastica version)

This is the song that never ends. (Elastica version)

inkjet on stretched canvas with tacks

12 x 12”

unique 2017

One day you know more dead people than live ones.

One day you know more dead people than live ones.

folded, creased and sanded digital print on Arches cold press paper

36 x 50"

open edition signed by artist 2012

private collections

I don’t know what I want, really. I used to, but not anymore.

I don’t know what I want, really. I used to, but not anymore.

inkjet on canvas of an enlarged photo of the artist at a PiL concert arrogantly demanding that Johnny Lydon play a Sex Pistols song; acrylic and spraypaint and patch and safety pin on canvas.

34 x 20”

unique 2011-2017

No, that isn't irony. That's just cynicism.

No, that isn't irony. That's just cynicism.

found photo printed on sidewalk a-frame sign, pennant

28 x 21 x 86”

unique 2013-17

This is the song that never ends. (Dead Kennedys version)

This is the song that never ends. (Dead Kennedys version)

inkjet on stretched canvas with tacks

12 x 12”

unique 2017

This is the song that never ends. (The Clash version)

This is the song that never ends. (The Clash version)

inkjet on stretched canvas with tacks

12 x 12”

unique 2017

Again there was silence somewhere.

Again there was silence somewhere.

framed screenshot

12.5 x 12.5”

unique 2017

Reliving an experience alters it, until there's no way of knowing the truth from the story. (Unplugged version)

Reliving an experience alters it, until there's no way of knowing the truth from the story. (Unplugged version)

framed manipulated and close-captioned screenshot

18 x 28”

unique 2017

This is the song that never ends. (New Order version)

This is the song that never ends. (New Order version)

inkjet on stretched canvas with tacks
12 x 12”
unique 2017

This illustrates the choice we must make between giving the impression of a very youthful, well-preserved older person, or appearing to be a very corrupt young person.

This illustrates the choice we must make between giving the impression of a very youthful, well-preserved older person, or appearing to be a very corrupt young person.

computer-woven blanket

54 x 70"

unique 2013

Nothing made sense.

Nothing made sense.

framed manipulated photograph

17 x 21”

unique 2017

This is the song that never ends. (LL Cool J version)

This is the song that never ends. (LL Cool J version)

inkjet on stretched canvas with tacks
12 x 12”
unique 2017

This is the song that never ends. (Happy Mondays version)

This is the song that never ends. (Happy Mondays version)

inkjet on stretched canvas with tacks

12 x 12”

unique 2017

We believed in it. It was what we thought was right.

We believed in it. It was what we thought was right.

inkjet on stretched canvas with tacks

8 x 10”

unique 2014

This is when the cold indifference of the world envelops you, and makes you feel invigorated by emotion but also acutely alone.

This is when the cold indifference of the world envelops you, and makes you feel invigorated by emotion but also acutely alone.

acrylic on canvas with tacks, enlarged snapshot of Violent Femmes concert in Grendel's Lair and thumbtacks

20 x 19”

unique 2015

You don’t even see me sometimes.

You don’t even see me sometimes.

Framed manipulated and close-captioned screenshot

12 x 12”

unique 2017

To be in the fullness of possession and at the the height of power.

To be in the fullness of possession and at the the height of power.

inkjet print on canvas of manipulated and closed-captioned screenshot

12 x 12”

unique 2017

A confused context is the essence of alienation.

A confused context is the essence of alienation.

inkjet on stretched canvas

11 x 14”

unique 2017

This is the song that never ends. (The Who version)

This is the song that never ends. (The Who version)

inkjet on stretched canvas with tacks

12 x 12”

unique 2017

But I was in my twenties and I thought that was just the way life was -- unjust, romantic, and sad. (Radio edit)

But I was in my twenties and I thought that was just the way life was -- unjust, romantic, and sad. (Radio edit)

framed screenshot of Peter Buck playing Kurt Cobain’s Jag-Stang prototype upside-down

15 x 17"

unique 2011-2017

Well, I guess I thought it was possible.

Well, I guess I thought it was possible.

acrylic, vinyl sticker on canvas

18" x 24" 

2012

He could definitely live without ever feeling the need to verbalize the majority of his feelings.

He could definitely live without ever feeling the need to verbalize the majority of his feelings.

framed manipulated and close-captioned screenshot of Alex Cox’s film “Sid and Nancy”

32 x 40”

unique 2017

This is the song that never ends. (Beastie Boys version)

This is the song that never ends. (Beastie Boys version)

inkjet on stretched canvas with tacks
12 x 12”
unique 2017

This is the song that never ends. (Donna Summer version)

This is the song that never ends. (Donna Summer version)

inkjet on stretched canvas with tacks
12 x 12”
unique 2017

But I was in my twenties and I thought that was just the way life was -- unjust, romantic, and sad. (Home recording)

But I was in my twenties and I thought that was just the way life was -- unjust, romantic, and sad. (Home recording)

digital print on Arches cold press paper

24 x 38"

unique 2011

Sometimes, when you look back at your younger self, you feel as if you are looking not at yourself, but at another person, and that other person still exists somewhere.

Sometimes, when you look back at your younger self, you feel as if you are looking not at yourself, but at another person, and that other person still exists somewhere.

found 8-track with unique sound mix in hermetically sealed plexiglass box

4 x 6 x 1.5"

unique 2017